Of the four, I'm least concerned about Arrow, which is funny because if you had asked me last season I'd have said it was about done. The hero/villain constellation of Damien Darhk and Oliver/Felicity just didn't do it for me and the show seemed poised to lose its edge. Much like the old sitcom News Radio and Moonlighting, the fans might want to see the romantic tension resolved, but it's not what is best for the show.
Wiping that slate clean and introducing a slew of new characters, both heroic and villainous, brought a lot of new life to Arrow. The new proteges deserve more time to develop, but they really helped put Arrow back on its feet. Plus I'm kind of a sucker for non-Batman non-super DC characters.
The show that I'm feeling the most dread about is The Flash, which used to be my favorite. Barry Allen was a delightfully retro superhero just as DC was cramming darker versions of their iconic characters in the New 52 and the gawdawful movies. But there's several problems I see developing. First, the arch-villains are getting tired. Originally there was the Reverse Flash, and he's a threat because he's deadly and a faster speedster than the Flash. Then there's Zoom, and he's even faster and more scary. And now there's (help us) Savitar, and he's even faster and scarier and he looks like someone took the Michael Bay version of Ravage and made him a Flash villain.
And while each sort of has their own agenda, in the end they are all basically the same kind of villain--a malicious speedster. Lackluster villains are a problem with the Flash mythos in general; they tend to be gimmicky mooks who really don't stand a chance against the Flash, or evil speedsters. The show needs to find a way to create a compellingly threatening villain cast from a different mold.
They have also managed to give superpowers to every single character except Joe and Iris. When Wally starts whining about not having powers, I actually thought he was being irrational until I realized that he was virtually the last one who didn't. It's like the Flash is contagious.
And finally, and I realize that I might be in the minority about this, but I totally dislike Iris West. It's a perfect storm of poor acting, zero chemistry, and lame storytelling. She's the poor man's Lois Lane, but not the cool Lois Lane, but the simpering Silver Age one. I just keep thinking to myself, "how have the writers conveyed why Barry should be with her?" Lois Lane is, in so many ways, Superman's equal. Not in power, but in personality and conviction. Clark Kent respects her. The writers of Flash just figure because she's cute and they can do lots of close-ups of her wide-eyed stare that it'll all make sense. But she spends most of the time harping, worrying, or getting into trouble. Bleh. Bring back Patty.
And finally, Flashpoint. Flashpoint was a big deal in the DC universe, including a chance to trot out and explore some alternate-reality versions of classic DC characters. If the TV show it was a two-episode wash to build a lot of dramatic tension about "how dare Barry muck about the time stream!" The hardest part was having people give Barry grief for changing the lives that they have only known their whole lives. Actually the really hardest part was watching the Legends give Barry grief about changing the time stream right after they crashed through the Reagan White House. Pot, kettle. More on them later. Instead of having the chance to freshen up some things, or at least explore some off-track plotlines, Flashpoint instead became the cause of a lot of really overblown emotional drama that sometimes didn't ring true.
How to fix The Flash? Build a villain with a real backstory who is not a speedster. Give him or her three dimensions. Introduce a new love interest. Don't give Joe powers.
And finally, the Legends of Tomorrow (I'll write about Supergirl later). A lot of people thought they would become the Justice League or the Justice Society, but they are not. They are the Doom Patrol. Crossed with Doctor Who.
|Did someone say "Doctor Doom"? No? Okay I'll leave...|
(And can I just say that I actually liked the DC Comics version of Steel. The dorky mohawk headgear made sense when you realized he was a totally pre-packaged farce of a patriotic hero, forced into the role by a domineering father.)
Then there's the whole time-travel thing. I find time-travel problematic as a plot device in any genre, and the Arrowverse is saturated in it. With a new time-frame for every episode, it is starting to feel gimmicky and as a way to pad-out what is often a pretty thin plot. Plus you're going to run out of options after a while. Just on the American side you've already had the 1860's, the 1880's, the 1920's, the 1940's, the 1950's, the 1970's, the 1980's, and the dystopic future. Actually there are several of those. So what's left? The American Revolutionary War. The Victorian era (doubtless with either a gothic horror or steampunk twist). The Great Depression. The show already did the archtypical cultural indicator (aka stereotype) episodes of non-American venues with the Russian gulag and Japanese samurai.
My answer? Ditch the time-traveling gimmick and rename the team. The Outsiders is available. Put them on the weird pseudo-science fringe of the Arrowverse, rather than the front-and-center superhero team. Start bringing in the bizarre wing of the DC Universe. Not campy (at least, not much), but there is plenty to work with out there. In their second season they have been relying too much on retread villains and time travel, and it isn't working.
And bring Captain Cold back.
Okay, that's plenty of ranting for now. Comments welcome.